村野四郎
詩集 亡羊記初函帯Vカバ 署名入
1959 （ 昭和34年 ） 初版・函・帯・ビニカバー・総革装・毛筆署名入・愛読者カード
1959 （ 昭和34年 ） 初版・函・帯・ビニカバー・総革装・毛筆署名入・愛読者カード
函及帯ヤケ・スリキズ 帯背少欠 本冊極良好 平野遼装 読売文学賞受賞帯
A5判 / 政治公論社『無限』編集部
2025年4月2日水曜日
2025年3月16日日曜日
音楽 ： Scratch Acid – Scratch Acid
Scratch Acid – Scratch Acid
収録曲
| A1 | Cannibal | 2:13 | |
| A2 | Greatest Gift | 2:08 | |
| A3 | Monsters | 1:27 | |
| A4 | Owners Lament | 4:28 | |
| B1 | She Said | 2:23 | |
| B2 | Mess | 2:30 | |
| B3 | El Espectro | 3:31 | |
| B4 | Lay Screaming | 2:12 |
会社名など
- 録音 – Earth & Sky Studios
- プレス – PRC Recording Company, Richmond, IN
- 著作権© – Rabid Cat Publishing
- マスタリング – Greg Lee Processing – L-21767
クレジット
- Bass – David Wm. Sims*
- Cover [Front Cover] – Mark Todd (2)
- Drums – Rey Washam
- Engineer – Kerry Crafton
- Executive-Producer – Stacey Cloud
- Guitar – Brett Bradford
- Noises [These People Made Noises On This Record...] – Dan Fletcher (5), Jamie Spidle, Javvier Chapparo, Kristi Woodward, Shawn Sanders (3)
- Producer – Stacey Cloud
- Vocals – David Yow
ノート
Rec.~Earth & Sky studio Austin, Tx. 7/84.
Includes a single sided lyric/credit sheet.
© Rabid Cat Publishing, BMI 1984.
Printed in U.S.A. (on spine)
Jacket Made in Canada (on back)
Includes a single sided lyric/credit sheet.
© Rabid Cat Publishing, BMI 1984.
Printed in U.S.A. (on spine)
Jacket Made in Canada (on back)
バーコードとその他の識別子
- Matrix / Runout (Etched runout side A): A RAB-SA 004 A1-1-1- PRC L-21767
- Matrix / Runout (Etched runout side B): A RAB-SA 004 B1-1-1- PRC L-21767-X
- 権利協会: BMI
他のバージョン（3件）
全て見る| タイトル (フォーマット) | レーベル | カタログ # | 国 | 年 | |||
|---|---|---|---|---|---|---|---|
| Scratch Acid (12", 45 RPM, EP) | Rabid Cat Records | RAB.004.SA | US | 1984 | |||
| Scratch Acid (12", 33 ⅓ RPM, EP) | Fundamental | HOLY 1 | UK | 1986 | |||
| Scratch Acid (12", 33 ⅓ RPM, EP, Test Pressing) | Fundamental | HOLY 1 | UK | 1986 |
音楽 ： SCRATCH ACID BOX SET
SCRATCH ACID BOX SET [3XLP+7"]
1982年、USテキサスはオースティンでデヴィッド・ヨウを中心に結成したスクラッチ・アシッド。ポスト・ハードコアを基調にノイズ / パンク・ロックが入り混じる独特な音はUSアンダーグラウンドで即人気に。爆音&緊張感マシマシのアレンジで、暴力的な速さよりアート・ロックな音を追求する姿勢は、後のオルタナティヴ・ロックブームで基礎になりました。1987年に解散と僅か5年の活動期間ながら未だシーンから求められる彼等から特大アンソロジー盤『SCRATCH ACID BOX SET』が到着!
1984年のセルフタイトルなEP、1986年作唯一のフルアルバム『JUST KEEP EATING』、1987年作最後のリリースとなった『BERSERKER 』、そしてTOUCH&GO監修の1986年コンピレーション『GODS FAVORITE DOG』に提供した”Holes”と”Final Kiss”を収録した7インチが入った拘りしかないこのBOX。活動を通して表現した渦巻く狂気を叫び倒すヨウとバンドの若さ溢れる前のめりでハイテンションな演奏は、後にヨウが結成するもっと音の濃厚さが増したジーザス・リザードではあまり聴けない音です!
ボブ・ウェストン (シェラック)がリマスターし更に凶悪さと強度が増したスクラッチ・アシッドの世界、今この時代に聴いて悶えましょう。(disk-UNION)
2025年3月13日木曜日
音楽 ： Grateful Dead－Enjoying the Ride (Dead.net Exclusive) [60 CD]
Enjoying the Ride (Dead.net Exclusive) [60 CD]
$599.98
Availability:
Pre-Order, released on: 05/30/2025
Free postcard with purchase of anything from Enjoying the Ride box set collection.
WHAT'S INSIDE:
Avalon Ballroom, San Francisco, CA (4/5/69) – Cassette
Fillmore West, San Francisco, CA (6/5/69)
Fillmore West, San Francisco, CA (6/7/69)
Fillmore West, San Francisco, CA (6/8/69)
Capitol Theatre, Port Chester, NY (2/24/71)
Capitol Theatre, Port Chester, NY (2/20/71)
Fillmore East, New York, NY (4/25/71)
Fillmore East, New York, NY (4/27/71)
Boston Music Hall, Boston, MA (9/15/72)
Boston Music Hall, Boston, MA (9/16/72)
Nassau Veterans Memorial Coliseum, Uniondale, NY (3/16/73)
Winterland, San Francisco, CA (3/20/77)
Philadelphia Spectrum, Philadelphia, PA (5/13/78)
Red Rocks Amphitheatre, Morrison, CO (8/12/79)
Alpine Valley Music Theatre, East Troy, WI (8/23/80)
Alpine Valley Music Theatre, East Troy, WI (7/11/81)
Hartford Civic Center, Hartford, CT (3/14/81)
Hampton Coliseum, Hampton, VA (5/1/81)
Frost Amphitheatre, Stanford University, Palo Alto, CA (8/20/83)
Greek Theatre, University of California, Berkeley, CA (7/13/84)
Henry J. Kaiser Convention Center, Oakland, CA (11/21/85)
Henry J. Kaiser Convention Center, Oakland, CA (11/22/85)
Madison Square Garden, New York City, NY (9/16/87)
Deer Creek Music Center, Noblesville, IN (7/15/89)
Oakland Coliseum Arena, Oakland, CA (12/27/89)
Shoreline Amphitheatre, Mountain View, CA (5/12/91)
Capital Centre, Landover MD (3/17/93)
Capital Centre, Landover MD (9/15/82)
Boston Garden, Boston, MA (10/3/94)
Originally Recorded By Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, & John Cutler
Mastered By David Glasser & Jeffrey Norman
Plangent Processes Tape Restoration And Speed Correction
Custom Keepsake Box w/ A Guide Book By Jesse Jarnow, Producer's Note By David Lemieux, & Essay By The Owsley Stanley Foundation
Design By Once Upon A Time
Limited To 6,000 Individually Numbered Copies
Dead.net Exclusive
When the ride begins in '65 at a pizza parlor in the South Bay under another moniker, who would have imagined? When "Who Are You? Where Are You? How Are You?" became "Won't you come with me?" and, ultimately, "Where does the time go?," who would have thought? 60 years on, we're celebrating the Grateful Dead's Diamond Era. Here we go back to the beginning, to the original "Follow," and uncover the wonders of getting on the bus all over again.
ENJOYING THE RIDE is a sweeping 60-CD collection that maps an epic cross-country road trip along the “Heady Highway” with stops at storied venues where the music, the moment, and the magic of the Dead reliably converged. Spanning 25 years of legendary live performances, this expansive compendium spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights.
With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, with more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three — Fillmore West, Fillmore East, and Boston Music Hall — are curated from multiple performances at each venue, capturing key moments on those legendary stages.
These performances were originally recorded by Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, and John Cutler. David Glasser and Jeffrey Norman restored and mastered the performances, with select ones using Plangent Processes tape restoration and speed correction for optimal sound quality.
It's all housed in a custom keepsake box inspired by the experience of traveling from city to city to see the Dead at legendary venues across America. Inside, a beautifully detailed tour guide features liner notes by Jesse Jarnow (author and co-host of the Good Ol’ Grateful Deadcast) and a producer’s note from Lemieux, an essay by the Owsley Stanley Foundation, and more. The set is richly illustrated with photos, including many taken at the shows featured in the collection.
Due May 30th, this one is limited to 6,000 individually numbered copies and exclusive to Dead.net. We invite you to take this not-so-little piece of the road home.
2025年3月7日金曜日
音楽 ： Nektar – A Tab In The Ocean
Nektar – A Tab In The Ocean
レーベル: | Bacillus Records – BLPS 19118, Bellaphon – BLPS 19118 |
|---|---|
フォーマット: | レコード, LP, Album, Gatefold |
国: | Germany |
リリース済み: | 1972年 |
ジャンル: | Rock |
スタイル: | Prog Rock, Psychedelic Rock |
収録曲
| A | A Tab In The Ocean | 17:15 | |
| B1 | Desolation Valley | ||
| B2 | Waves | 8:36 | |
| B3 | Crying In The Dark | ||
| B4 | King Of Twilight | 10:28 |
会社名など
- 制作元 – Dierks Studios
- 出版 – Bellver Musikverlag
- 録音 – Dierks Studios
クレジット
- Design Concept [Cover Conception, Foto-conception], Painting [Frontcoverpainting], Artwork [Backside Collage] – Helmut Wenske
- Engineer – Dieter Dierks
- Photography By [The Group] – Steve Schöppler
- Photography By [Under The Water] – Uwe Behrendt
- Producer – Nektar, Peter Hauke
- Written-By – Nektar
ノート
This is the first release with unboxed Bellaphon and without "Made in Germany" on center labels as on this release.
Produced 2-13 October 72 at Studio Dierks (center labels).
Recorded Oct. 72 (inside cover).
Durations listed for B2 and B4 are valid for the combined durations of B1 and B2, respectively B3 and B4.
Produced 2-13 October 72 at Studio Dierks (center labels).
Recorded Oct. 72 (inside cover).
Durations listed for B2 and B4 are valid for the combined durations of B1 and B2, respectively B3 and B4.
バーコードとその他の識別子
- Matrix / Runout (A-side, etched): BLPS · 19118 · A
- Matrix / Runout (B-side, etched): BLPS · 19118 · B
- 権利協会: GEMA
他のバージョン（62件中5件）
全て見る| タイトル (フォーマット) | レーベル | カタログ # | 国 | 年 | |||
|---|---|---|---|---|---|---|---|
| A Tab In The Ocean (LP, Album, Gatefold) | United Artists Records | UAG 29499 | UK | 1972 | |||
| A Tab In The Ocean (LP, Album, Stereo, Gatefold) | United Artists Records | UAG 29499 | Italy | 1972 | |||
| A Tab In The Ocean (LP, Album, Stereo) | Bellaphon | BEC 1001 | South Africa | 1972 | |||
| A Tab In The Ocean (LP, Album, Stereo, Gatefold) | Bacillus Records, Bellaphon | BR. 7005 | France | 1973 | |||
| A Tab In The Ocean (LP, Album, Gatefold Sleeve) | Bacillus Records, Bellaphon, Sabado Som | OW 613 | Brazil | 1974 |
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